![Lawrence of Arabia [DVD] [1989]](https://m.media-amazon.com/images/I/91PbkAOsHtL.jpg)


Product Description LAWRENCE OF ARABIA50TH ANNIVERSARY EDITION Winner of 7 Academy Awards® including Best Picture of 1962, LAWRENCE OF ARABIA stands as one of the most timeless and essential motion picture masterpieces. The greatest achievement of its legendary, Oscar®-winning director, David Lean (1962, Lawrence of Arabia: 1957 the Bridge on the River Kwai), the film stars Peter O’Toole — in his career-making performance — as T.E. Lawrence, the audacious World War I British army officer who heroically united rival Arab desert tribes and led them to war against the mighty Turkish Empire. Newly restored and re-mastered at 4K resolution, the massive scope and epic action of the Director’s Cut of LAWRENCE OF ARABIA can now be experienced like never before in this landmark 50th Anniversary Edition. desertcart.co.uk Review In 1962 Lawrence of Arabia scooped another seven Oscars for David Lean and crew after his previous epic, The Bridge on the River Kwai, had performed exactly the same feat a few years earlier. Supported in this Great War desert adventure by a superb cast including Alex Guinness, Jack Hawkins and Omar Sharif, Peter O'Toole gives a complex, star-making performance as the enigmatic TE Lawrence. The magnificent action and vast desert panoramas were captured in luminous 70mm by Cinematographer Freddie Young, here beginning a partnership with Lean that continued through Dr Zhivago (1965) and Ryan's Daughter (1970). Yet what made the film truly outstanding was Robert (A Man For All Seasons) Bolt's literate screenplay, marking the beginning of yet another ongoing collaboration with Lean. The final partnership established was between director and French composer Maurice Jarre, who won one of the Oscars and scored all Lean's remaining films, up to and including A Passage to India in 1984. Fully restored in 1989, this complete version of Lean's masterpiece remains one of cinema's all-time classic visions. --Gary S Dalkin Review: Quite strange this... - I'd decided to play the Blu-ray disc of Lawrence of Arabia this evening as a) there was nothing of interest to me on the box, and b) I had at last bought a bigger TV with far better picture quality, in HD. The transfer of this great film to Blu-ray is superb; above all else I have never seen the picture so sharp, so rich in detail, the colours bright but natural. There is a true feeling of depth to the picture. I can't judge the sound quality well as the TV really needs a sound bar, but that will have to wait. None of this would matter if the film itself were not a masterpiece. Everything comes together: script, direction, acting, cinematography, and - often not remarked on - editing. It's all done to the highest standards. The first fifteen minutes alone are a lesson in film-making. After an overture, played to a black screen, the opening credits are shown whilst we look vertically down on Lawrence preparing his motorbike in Dorset for the journey that will, in fact, be his last. In due course we flashback to Lawrence (Peter O'Toole) in Cairo at British Army HQ. His interview with General Murray (Donald Wolfit) as Mr Dryden (Claude Rains, again wonderful) recruits him for intelligence purposes, is hilarious. The General, a man of action, but clearly not of patience; Lawrence, the intellectual and apparently effete, by appearance perhaps better suited to the Pay Corps. But O'Toole brilliantly demonstrates that Lawrence knows exactly what he's doing, gently winding up the General who gladly lets him go off for a 'bit of fun' in the desert. Claude Rains remarks that it's known that Lawrence has a strange sense of 'fun', just as Lawrence blows out a lighted match. And at that moment we cut to a shot of the sun slowly rising over the desert at daybreak, all rich orange. I tend to run out of superlatives for this film. Freddie Young, the Director of Photography, and Anne Coates, the Film Editor, are as important to its success as the (all-male? I can't remember a single speaking part for a woman) actors. And quite possibly only David Lean could have driven this film through with such perfection. The strange bit is that when the film ended and I switched back to live television, there, on screen, was a clip from the very film I had just been watching. It was, of course, news that Peter O'Toole had sadly died, and this film was, without doubt, his finest hour. Review: A classic that earns its accolades with bravery and brilliance - genuinely epic cinema. - Approaching such a revered milestone of cinema, I was reluctant for two reasons: The first reason it's LONG - did I really want to give up that much time to watch an old film that might not live up to the hype? The second is that 'biographical' pieces can be dull, especially if produced in a more 'twee' era. I needn't have worried on either account. While I'll recommend that you save it for a Sunday or a Bank Holiday simply due to the size of the film, which comes with it's own Intermission break, this is no dry, fusty hero-worship piece. The Blu-Ray transfer is spectacular, and although you can tell it's an older film, it's very clear and amazingly good looking. The scenery photography on its own led to several jaw-drop moments of genuine, rare awe. But between that scenery there's a story. Lawrence isn't held up as a flawless hero but a playful, flawed egotist - one with great military guts and a mountain of determination and self belief - which bordered on the self-eulogising and nearly a messiah complex. The British are surprisingly portrayed the way that the CIA tend to be portrayed in modern movies; shifty types with a moral superiority complex who think the end justifies the means and aren't afraid of throwing their men to the wolves, but with the occasional touching moment of comradeship. The Arab characters also come off better than in many later films, being shown some degree of respect by the story as victims of cultural expectations and tradition as much as victims of exploitation by the Turks and the British. Alec Guinness gives a layered performance of Faisal, Omar Sharif fills his supporting role with fiery personality and pride, and O'Toole is mesmerising as the soldier who feels a fish out of water with his own people, but comes into his own in the desert. It's decently full of action and spectacle as well, from the striking attack upon Aqaba to saboteur attacks and the massacre of a convoy of Turkish foot-soldiers that the film is brave enough to paint as nothing but the results of blood-lust and Lawrence's temporarily unbalanced psyche - an unbalance that may be down to wartime sexual abuse that's heavily hinted at in a key scene. Overall, it's an astonishingly brave film - brave for its pacing which insists upon bouts of patience to soak up the astounding vistas and cultural moments in between the politics and violence, brave for casting two little known performers in lead roles, and brave for its controversial and fascinating plot details. This is certainly not the fuzzy, watered down museum piece you may have been taught to expect. A breathtaking piece of British cinema.
| ASIN | B0050A2J86 |
| Actors | Alec Guinness, Anthony Quinn, Jack Hawkins, Omar Sharif, Peter O'Toole |
| Aspect Ratio | 16:9 - 2.20:1 |
| Best Sellers Rank | 10,460 in DVD & Blu-ray ( See Top 100 in DVD & Blu-ray ) 3,493 in Drama (DVD & Blu-ray) |
| Customer reviews | 4.7 4.7 out of 5 stars (4,805) |
| Director | David Lean |
| Dubbed: | German |
| Is discontinued by manufacturer | No |
| Item model number | 5051159205803 |
| Language | English (Dolby Digital 5.1), German (Dolby Digital 5.1) |
| Media Format | Subtitled |
| Number of discs | 1 |
| Producers | David Lean, Sam Spiegel |
| Product Dimensions | 19 x 13.5 x 1.4 cm; 0.28 g |
| Release date | 11 May 2011 |
| Run time | 3 hours and 38 minutes |
| Studio | Sony Pictures Home Entertainment |
| Subtitles: | Danish, English, Finnish, German, Hindi, Norwegian, Swedish, Turkish |
S**E
Quite strange this...
I'd decided to play the Blu-ray disc of Lawrence of Arabia this evening as a) there was nothing of interest to me on the box, and b) I had at last bought a bigger TV with far better picture quality, in HD. The transfer of this great film to Blu-ray is superb; above all else I have never seen the picture so sharp, so rich in detail, the colours bright but natural. There is a true feeling of depth to the picture. I can't judge the sound quality well as the TV really needs a sound bar, but that will have to wait. None of this would matter if the film itself were not a masterpiece. Everything comes together: script, direction, acting, cinematography, and - often not remarked on - editing. It's all done to the highest standards. The first fifteen minutes alone are a lesson in film-making. After an overture, played to a black screen, the opening credits are shown whilst we look vertically down on Lawrence preparing his motorbike in Dorset for the journey that will, in fact, be his last. In due course we flashback to Lawrence (Peter O'Toole) in Cairo at British Army HQ. His interview with General Murray (Donald Wolfit) as Mr Dryden (Claude Rains, again wonderful) recruits him for intelligence purposes, is hilarious. The General, a man of action, but clearly not of patience; Lawrence, the intellectual and apparently effete, by appearance perhaps better suited to the Pay Corps. But O'Toole brilliantly demonstrates that Lawrence knows exactly what he's doing, gently winding up the General who gladly lets him go off for a 'bit of fun' in the desert. Claude Rains remarks that it's known that Lawrence has a strange sense of 'fun', just as Lawrence blows out a lighted match. And at that moment we cut to a shot of the sun slowly rising over the desert at daybreak, all rich orange. I tend to run out of superlatives for this film. Freddie Young, the Director of Photography, and Anne Coates, the Film Editor, are as important to its success as the (all-male? I can't remember a single speaking part for a woman) actors. And quite possibly only David Lean could have driven this film through with such perfection. The strange bit is that when the film ended and I switched back to live television, there, on screen, was a clip from the very film I had just been watching. It was, of course, news that Peter O'Toole had sadly died, and this film was, without doubt, his finest hour.
B**X
A classic that earns its accolades with bravery and brilliance - genuinely epic cinema.
Approaching such a revered milestone of cinema, I was reluctant for two reasons: The first reason it's LONG - did I really want to give up that much time to watch an old film that might not live up to the hype? The second is that 'biographical' pieces can be dull, especially if produced in a more 'twee' era. I needn't have worried on either account. While I'll recommend that you save it for a Sunday or a Bank Holiday simply due to the size of the film, which comes with it's own Intermission break, this is no dry, fusty hero-worship piece. The Blu-Ray transfer is spectacular, and although you can tell it's an older film, it's very clear and amazingly good looking. The scenery photography on its own led to several jaw-drop moments of genuine, rare awe. But between that scenery there's a story. Lawrence isn't held up as a flawless hero but a playful, flawed egotist - one with great military guts and a mountain of determination and self belief - which bordered on the self-eulogising and nearly a messiah complex. The British are surprisingly portrayed the way that the CIA tend to be portrayed in modern movies; shifty types with a moral superiority complex who think the end justifies the means and aren't afraid of throwing their men to the wolves, but with the occasional touching moment of comradeship. The Arab characters also come off better than in many later films, being shown some degree of respect by the story as victims of cultural expectations and tradition as much as victims of exploitation by the Turks and the British. Alec Guinness gives a layered performance of Faisal, Omar Sharif fills his supporting role with fiery personality and pride, and O'Toole is mesmerising as the soldier who feels a fish out of water with his own people, but comes into his own in the desert. It's decently full of action and spectacle as well, from the striking attack upon Aqaba to saboteur attacks and the massacre of a convoy of Turkish foot-soldiers that the film is brave enough to paint as nothing but the results of blood-lust and Lawrence's temporarily unbalanced psyche - an unbalance that may be down to wartime sexual abuse that's heavily hinted at in a key scene. Overall, it's an astonishingly brave film - brave for its pacing which insists upon bouts of patience to soak up the astounding vistas and cultural moments in between the politics and violence, brave for casting two little known performers in lead roles, and brave for its controversial and fascinating plot details. This is certainly not the fuzzy, watered down museum piece you may have been taught to expect. A breathtaking piece of British cinema.
O**N
映像の美しさは逸品ですな! これで何度でも飽きるまで見られます♫ でも飽きることはないと思います🎶
E**️
Se den här för att förstå en värld som inte finns längre.
R**S
This Movie is just a Wonderful Biopic on T E Lawrence.Its also a Movie set around the World War 1 Era but the British are concentrating on the MiddleEast and there various Ruthless Desert clans. This movie is Centered Mainly on Mr Lawrence Character played by Peter o toole.The movie is based on a book written by Mr Lawrence "seven pillars of Wisdom" Lawrence is sent by the British to do there dirty work and politics. The film depicts the Lawrence and his experience in Arabia and involvment with Arabian leaders at that time(played by Classic actors like Anthony quinn and omar sharif).Lawrence is torn between different worlds of his Arabian comrade camel riders and British Nationals in the Army.The movie also depicts the Emotional pain and suffering war and taking of decision which involves taking someones life and the Consequence of guilt and suffering.Peter o toole does a wonderful Acting and potrays emotional very strongly and his humanity also.At times the Scorching heat and Struggles makes him take harsh decision and violence but there is still the Human spirit to help others and understand behind the veil of Evil politics and Lust for land and blood. Now the Most Extraordinary part in this movie is the CINEMATROGRAPHY!!! By Mr Freddie young! Wonderful shots of sand dunes,windy sands,Camels in a group and Exotic Tents of Arab kings.The movie makes you feel as if your in a Dessert this movie is shot on location in places like jordon and morocco which gives you that authentic 'arabian feel'.Imagine doing a movie like this in a barren desert in todays era...back then there was Hard work and No CGI!! The movie is kind of a journey to a exotic location and shows the Beauty and harshness of the Desert,Scorching heat and Brutal cruel warfares between various arab and turk tribes..It also shows arab culture in a way the bedouins,there dress and Tents.However women Characters arent were strong in this movie just a few portrayals with burkha.Omar sharif is an arab so he suits for this movie and potrays the desire for war and land.IF there is one Reason you should buy this movie its because of the gorgeous landscapes and Visuals. This movie was shot in 65mm film back in the day and still packs a lot of beauty in the film.FILM has lot of potential to preserve details unlike digital cameras which are used nowadays. Regarding this BLURAY I got a very Good Discount from the seller in Amazon India and I am very happy with my purchase Since this is a Classic movie I feel to see it in Bluray is a good idea. Please note that this BLURAY is a Remastered version of the Movie which means they Created a fresh Scan from the original print with adjusting past problems and Colour adjustments. I think they did a Great Job!!! The film looks gorgoeus as ever I remember seeing this in AXN 8 years back but not in HDTV cinema is just more profound for a movie which is shot on 65mm film.So If your buying a Bluray make sure its Brand new remastered version by SONY DADC in India.This movie is still edited the classic way which means Music and "intermission" text are still there like in the 60s I have found this David lean movie to be quite good and hope to See other movies by this Director. There are some Extra features in the disc which educated viewers on T E Lawrence and his life and movie efforts by the film crew. I also watched this movie to pay respect to Sir Peter toole who recently passed away...I wish best for him wherever he is! Cinematrography-10/10(won best picture and Cinematrography at OSCARS) Music- 9/10 Actors,Casting-10/10 Locations-10/10 Bluray quality-10/10 extra features-9/10
M**E
David Lean und Sam Spiegel haben wir wohl was einmaliges geschaffen. Ein bildgewaltiges Meisterwerk um den Wüstenkrieg in fernen Arabien. Der Film weiß zu überzeugen aber hier in dieser Form auch zu verwirren. Nach dem Einlegen erfolgt Staunen, denn auf DVD 1 befindet sich Teil 2 und auf DVD 2 befindet sich Teil 1. Vor dem Start des Filmes wird drauf hingewiesen, dass die Filmmusik ohne Bild abläuft auf Wunsch des Regisseurs. Damit die Musik wirken kann...aha... *wirk*....*wirk*! Beim Flugzeugangriff auf das Lager der Araber sind Flugzeuge vom Typ de Havilland D.H. 82 Tiger Moth zu sehen. Dieser Flugzeugtyp wird sehr oft in Filmen benutzt. Interessanterweise gab es dieses Flugzeug zur Zeit des ersten Weltkrieges noch gar nicht. 1931 erhob sich eine Tiger Moth zum ersten Mal in die Lüfte also einen guten Zacken später. Peter O Toole sorgte 2008 bei Jay Leno dafür, dass endlich ein wenig Licht ins dunkle Gewölbe der Filgeschichte kommt. Er gestand dort, dass er und Omar mächtig Angst vor dem bevorstehenden wilden Ritt hatten und sich zuvor Mut angetrunken hatten. Später wurde er hoch gelobt für seinen wild entschlossenen Gesichtsausdruck den er zum Besten gab. Dabei war er nur hacke dicht und zu wie noch was. So sehr kann sich der Zuschauer von der Optik täuschen lassen. Also nach 2 Kasten Bier gucke ich auch wild entschlossen aber nur in Richtung Bett...egal! Er konnte wenigstens noch aus eigener Kraft sitzen. Dagegen Omar Sharif lies sich auf dem Pferd fest binden. Keine Ahnung was der Regisseur David Lean und der Produzent Sam Siegel hier erschaffen wollten? Als autobiographischer Kriegsbericht geht die Sache nicht durch, wirklich nicht. Es ist eine Glorifizierung des britischen Offizier Thomas Edward Lawrence. Offensichtlich wurde keinerlei großartigen Wert darauf gelegt die Schlachten einigermaßen authentisch und realitätsnah rüber zu bringen. Es läuft irgendwie recht seltsam ab. Die Araber greifen an und die Türken lassen sich teilweise umbringen und der Rest sucht sein Heil in der Flucht. Bevor Missverständnisse entstehen, der Film ist grandios und die Schauspieler überzeugen auf ganzer Linie. Nur herrscht über die 3,5h Laufzeit irgendwie eine seltsame Stimmung. Es ist ein bildgewaltiger Wüstenepos geprägt von einem derben romantischen Touch. Die englischen Offiziere werden ausnahmslos als sehr arrogant dargestellt. Für die Araber haben sie nicht sehr viel übrig. Die Kommentare sind meist herab lassend und verächtlich. Lawrence ist der einzige, der hier komplett irgendwie aus der Art schlägt. Anfangs wirkt er irgendwie total verschüchtert also der richtige Antiheld. Im Laufe des Filmes scheint er langsam aber sicher dem Wahnsinn zu verfallen. Aus dem ruhigen, besonnene Offizier wird ein hasserfülltes, gnadenlos tötendes Etwas das irgendwie immer tiefer in diesen Sumpf aus Gewalt gezogen wird! Er scheint auch nicht nirgendwo rein zu passen. Bei seinen eigenen Landsleuten findet er Anfangs keinerlei Beachtung. Sogar nach seinen grandiosen Erfolgen erntet er offen Beachtung und Lob aber hinter seinem Rücken lästern die sich einen ab. Bei den Arabern wird er geachtet und als Held verehrt aber er selbst fühlt sich unter seinen Kampfgenossen wie ein Fremdkörper. Mag auch daran liegen, dass er ständig gute Freunde verliert. Seine Beziehung mit Sherif Ali (Omar Sharif) ist auch nicht gerade das was man als gute Freundschaft bezeichnen kann, denn sie sind ständig anderer Meinung. Auch mit Prinz Faisal (Alec Guinness) will er nicht so richtig warm werden. Es scheint grade so als wolle Lawrence beabsichtigt nichts mit Leuten zu tun haben, die einen höheren Rang haben. Prinz Faisal buhlt regelrecht um seine Freundschaft aber er lässt ihn einige Male wirklich links liegen als sei er nichts weiter als ein Bettler! Die Macher wandeln auf komplett unbekannten Pfaden. Es ist irgendwie nichts wie es normalerweise sein sollte. Das Ende kommt gleich am Anfang. So weiß der Zuschauer vorab schon einmal wie das Abenteuer endet. Es gibt auch seltsamerweise keine einzige weibliche Hauptrolle? Die holde Damenwelt spielt hier nur die dritte Geige passend zum Kulturkreis. Der Film ist durchweg negativ gezeichnet und teilweise derb sarkastisch. Es gibt nicht viel Anlass zur Freude. Das Geschehen ist geprägt von Machtgehabe und Streitigkeiten. Die Macher des Filmes lassen auch wirklich niemand gut weg kommen. Hier bekommt jeder sein Fett ab so oder so. Bis auf wenige Ausnahmen wird voll in die Tiefe Kiste in die Abgründe des menschlichen Charakter-Müllhaufens gegriffen. Die wenigen Personen von denen man sagen kann, dass sie nett und sympathisch rüber kommen sterben wie die Fliegen. Schnell und ohne Hoffnung, dass sie irgendwie davon kommen. Sollte wohl so sein. Anklagend gegen die englische Kolonialmacht und gleichzeitig gegen die arabischen Stämme, die sich gegenseitig auch noch spinnefeind gesinnt sind. Der Film ist dennoch sehr sehenswert und trotz der Lauflänge von 3,5h ein kurzweiliges Filmvergnügen. Durch die geniale Art und Weise wie es hier serviert wurde kann ich nur anerkennend den Hut ziehen! Am Anfang des Filmes war Lawrence nur ein kleines Licht an das niemand glaubte. Er selbst hatte ein hohes, ein sehr hohes fast unerreichbares Ziel gesteckt. Im Laufe des Filmes veränderte er sich und wurde zu etwas, dass er niemals sein wollte. Dann war ein Punkt erreicht an dem er selbst nicht mehr an sich glaubte und sein ganzes tun und Schaffen hinter fragte. Perverser weise, genau just in diesem Moment glaubten alle an Lawrence und drängten ihn grade dazu weiter zu machen. Dann als das große Ziel erreicht wurde war es nicht wirklich was erstrebenswertes. Der große Sieg hatte eine ziemlich bitteren Beigeschmack. Dadurch, dass die Macher aber rein gar nichts Gutes haben aufkeimen lassen kann man diesen Film getrost als einen Antikriegsfilm abheften. Wage mal zu behaupten nur so war es möglich diesen Film über diese Lauflänge zu wuchten ohne das Langeweile auf kommt. Dadurch geschah nichts vorhersehbares. Auch das Wissen aus den Geschichtsbüchern kann sich der Zuschauer hier irgendwie an die Backe heften oder sonst wohin. Die Macher legten keinerlei sonderlichen Wert auf irgendwelche lästigen geschichtlichen Tatsachen. Dürfte sich aber irgendwie von selbst verstehen, dass die Araber bestimmt nicht die Türken Säbel rasselnd in die Flucht geschlagen haben. Sie wurden von der britischen Armee sogar mit Maschinengewehren aus gerüstet. Von den wirklich Ablauf des Krieges ist hier sehr wenig zu sehen. Keinerlei Gefechte, die aus den Schützengraben heraus geführt werden, sondern wilde Angriffsritte auf Kamele und Pferden mit dem typischen Geschrei und Säbel-Gerassel untermalt. Damit alles sehr heroisch und glorifizierend rüber kommt so wie es der Zuschauer auch irgendwie braucht. Könnte auch das Weltbild zerschmettern, wenn da stattliche Kriegsschiffe auftauchen, die noch die Sache hilfreich unterstützen. Also wird die gute alte Schiene „Brotmesser gegen Kanonen“ gefahren........YEEEEEEEEEEEAH! ►►► FAZIT: ◄◄◄ Bild-und Tonqualität gehen in Ordnung. Einige Szenen wurde nicht nach synchronisiert aber egal. Besser als gar nix oder die geschnittene Version. Das Booklet selbst ist toll gemacht und auf 10 Seiten werden Bilder und Infos über den Film serviert! Der Film ist irgendwie zeitlos, denn es geschieht immer wieder und wieder. Offensichtlich ist die Menschheit nicht fähig und nicht Willens aus der Vergangenheit zu lernen. Es ist immer wieder das gleiche Trauerspiel. Das zeigt hier dieser Film eindrucksvoll. Geprägt von Machtgier und politischen Kalkül bleibt am Ende nichts mehr übrig. In solchen Kriegen gibt es keine Sieger....nur Verlierer. Upps eigentlich wollte ich eine Rezension schreiben und das „Wort zum Donnerstag“ wurde draus... ►►► DVD 1 HAUPTMENÜ : ◄◄◄ ● Film starten- Teil 2 ● Sprachauswahl ● Untertitel (Englisch, Spanisch, Holländisch, Arabisch ,Deutsch, Tschechisch, Finnisch, Bulgarisch) ● Szenenauswahl ● DVD-ROM Ins Laufwerk des PC`s einlegen. Präsentiert werden aus arabischen Archiven historische Fotografien! ►►► ZUSÄTZLICHE FILMINFOS : ◄◄◄ ● Exklusive „Making of Dokumentation“ Laufzeit ca. 1:01h ● Auf Reisen mit Lawrence ● Kinotrailer ● im Gespräch mit Steven Spielberg ● Vier Originaldokumentationen ● Die Premieren von New York ● Werbekampagnen ● Filmografien ►►► DVD 1 TONAUSWAHL: ◄◄◄ ● Englisch DD 5.1 ● Deutsch DD 5.1 ● Spanisch DD 5.1 ►►► DVD 2 HAUPTMENÜ : ◄◄◄ ● Film starten- Teil 1 ● Sprachauswahl ● Untertitel (Englisch, Spanisch, Holländisch, Arabisch, Deutsch, Tschechisch, Finnisch, Bulgarisch) ● Szenenauswahl ● DVD-ROM Ins Laufwerk des PC`s einlegen. Präsentiert werden aus arabischen Archiven historische Fotografien! ►►► DVD 2 TONAUSWAHL: ◄◄◄ ● Englisch DD 5.1 ● Deutsch DD 5.1 ● Spanisch DD 5.1
J**D
The 4K HDR version looks absolutely stunning. One of the most beautiful movies I’ve seen. Unfortunately I had to return the first copy I got, since it came damaged, but the second copy I got was perfect. Obviously the movie itself is great, it’s a classic for a reason.
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