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📸 Elevate your craft with the Alpha 7S III — where speed meets stunning clarity
The Sony Alpha 7S III is a professional full-frame mirrorless camera featuring a new 12.1MP backside-illuminated sensor, BIONZ XR processor for 8x faster image processing, and 759-point hybrid autofocus. It excels in ultra-low light with ISO up to 409,600, offers 4K 120fps 10-bit video recording, and includes 5-axis in-body stabilization. Designed for creators demanding speed, precision, and cinematic quality in both photo and video.















| ASIN | B08DP4NKGN |
| Flashメモリバスインターフェースタイプ | PCIe |
| GTIN (Global Trade Identification Number) | 00027242920569 |
| HDMIタイプ | HDMI Type A |
| JPEG品質レベル | ノーマル |
| UPC | 027242920569 |
| USB2.0ポート数 | 1 |
| USB3.0ポート数 | 1 |
| USBポート数 | 1 |
| おすすめ度 | 5つ星のうち4.8 301 レビュー |
| お客様の年齢層 | 大人 |
| アスペクト比 | 16:9, 3:2, 4:3 |
| イメージキャプチャーの種類 | 静止画・動画 |
| オートフォーカス | はい |
| カメラフラッシュタイプ | ホットシュー |
| カメラレンズの説明 | 10個。 |
| カラー | ブラック |
| カラースクリーン機能付き | はい |
| クロップモード | フルフレーム |
| サポートする画像形式 | JPEG, RAW |
| シャッタースピード | 1/8000 秒 |
| シリーズ番号 | 7 |
| セルフタイマー | 10 秒, 2 秒, 5 秒 |
| ディスプレイの種類 | 液晶 |
| ディスプレイ固定タイプ | 関節運動する |
| ディスプレイ最大解像度 | 4240 x 2832 |
| デジタルスチル | はい |
| ハードウェアインタフェース | USB-C |
| バッテリー付属の有無 | はい |
| ビット深度 | 14ビット |
| ビデオ出力 | HDMI |
| ビューの実質角度 | 0.53 ラジアン |
| ビューファインダタイプ | 電子式 |
| ファイル形式 | HEIF, JPEG, Raw |
| ファインダー倍率 | 0.9x |
| フォトセンサー技術 | CMOS |
| フォーカスモード | コンティニュアスサーボAF(AF-C) |
| フォーカス機能 | 手動と自動。 |
| フォームファクター | ミラーレス |
| フラッシュメモリのUHSスピードクラス | UHS Speed Class 3 (U3) |
| フラッシュメモリのスピードクラス | 70 |
| フラッシュメモリのビデオスピードクラス | 300 |
| フラッシュ同調速度 | 1/250 Second |
| フラッシュ機能 | オート、フィルフラッシュ、ハイスピード同期、オフ、リアシンク、赤目軽減、スローシンク。 |
| ブランド名 | Sony |
| ホワイトバランス設定 | オート |
| メモリースロット数とタイプ | 2 |
| メーカー名 | Sony |
| メーカー型番 | ILCE7SM3/BQ |
| モデルシリーズ | a7S III |
| モータータイプ | Optical Zoom |
| リモコン付属 | いいえ |
| レンズの最短焦点距離 | 28 cm |
| レンズの最長焦点距離 | 24 ミリメートル |
| レンズ種類(レンズキットの場合) | 広角 |
| レンズ補正タイプ | 周辺光量 |
| 世代 | 3世代 |
| 互換デバイス | Sony Eマウント(フルフレーム)。 |
| 互換性のあるマウント | ソニーE |
| 光学ズーム倍率 | 1 |
| 内蔵メモリータイプ | デュアルスロット:CFexpress Type A / SD (UHS-II) |
| 写真センサーテクノロジー | CMOS |
| 写真センサー解像度 | 12 MP |
| 動画モード搭載 | はい |
| 動画画素数 | 1080p |
| 同梱商品 | カメラボディ&アクセサリー |
| 商品の重量 | 612 グラム |
| 商品種別 | ポータブルオーディオまたはビデオシステム。 |
| 型番 | ILCE7SM3/B |
| 対応ファイル形式 | HEIF, JPEG, Raw |
| 対応フラッシュメモリタイプ | CFエクスプレスタイプA, SDカード |
| 対応マウント | ソニーE |
| 手ぶれ補正 | センサーシフト式 |
| 手振れ補正 | センサーシフト式 |
| 技術レベル | プロ |
| 振動板ブレード数 | 9 |
| 撮像素子 | フルフレーム(35mm) |
| 撮影機能 | ムービー |
| 暗視機能付き | いいえ |
| 最低拡張ISO | 40 |
| 最大焦点距離 | 24 ミリメートル |
| 最大画像サイズ | 3464 ピクセル |
| 最大絞り値(F) | 4 ミリメートル |
| 測距点 | 759 |
| 無線タイプ | Bluetooth |
| 焦点の説明 | 連続サーボAF(C)、ダイレクトマニュアルフォーカス(DMF)、マニュアルフォーカス(M)、シングルサーボAF(S)。 |
| 焦点距離の説明 | 12 to 24mm |
| 特殊な用途 | 写真、ビデオ撮影。 |
| 特殊機能 | BIONZ XRイメージプロセッサ、759ポイント高速ハイブリッドAF、5軸ステディショットインサイド手ブレ補正。 |
| 画面あたりのドット数 | 1,440,000 Dot |
| 画面サイズの単位 | 3 インチ |
| 総静止画解像度 | 12.1 MP |
| 縦横比 | 16:9, 3:2, 4:3 |
| 計測の説明 | 平均、中央加重平均、ハイライト加重、複数、スポット |
| 記録容量(GB) | 24 分 |
| 通信・接続インターフェース | Wi-Fi |
| 連写速度 | 10 FPS |
| 開口モード | 手動、絞り優先、シャッタースピード優先。 |
| 露出制御タイプ | マニュアル |
| 静止画の有効解像度 | 12.1 |
M**C
BEST HYBRID MIRRORLESS for all kinds of photo and video work… Nothing Compares IMO
Versatile, Best in-its-class hybrid camera. High Quality, Sharp Footage, Auto Focus is amazing AF (pun intended), Low light performance of the Gods, Anazing viewfinder which i use every single day to pixel peep in broad sunlight- and with S-Log3 (PP8), a dream to color grade in post. I enjoy using this camera so much for all my client work, it has become an extension of myself and my creativity. This kind of camera makes you more creative just by the way it handles everything so well- you worry less about the technical side. I’ve had many cameras, and have sold most of them in favor of this one. I will get another soon as a B-cam. The more you learn to use it, and utilize its features to the max, the more you’ll fall in love with it. To any creator seeking to go pro, or just take their craft to the next level, this is the one stop shop for mostly everything you’ll need. Until you’ve got $$$ for a crazy cinema camera like the fx6, an ursa mini, or an ARRI, get this one first. It has what every one-man/woman-band needs to do their work with confidence. If you’re already a pro, you will love it, and it will make you a lot of money if you know how to use it. 😎
O**R
Excelente servicio 👌🏼
Llegó muy bien empacada, antes del día previsto y nueva. Estoy encantado, muchas gracias.
R**D
Fantasic camera for low light videos
If you're a real estate videographer/photographer, its a no brainer. This is first and foremost a video camera and photos are secondary. Keep that in mind when deciding to purchase.
I**A
MaeWood Photography’s Professional A7siii Review
There is a likely reason why they are heavily bragging about the A7siii, and that is all of the other things that come with this impressive camera. I imagine that the first thing most of us will notice is the ergonomics and build quality. Both of which are outstanding. Sony users will feel right at home and with some improvements to quickly adjust your ISO, Aperture, and shutter speed. The menu system is improved and nicely customizable to put whatever you need to adjust the most, right onto the first page. Let’s not fool ourselves; none of the cameras out there have really figured out how to do menus that make us happy. The A7siii has not figured out the magic formula, but it is getting close. I am yet to find a complaint, but I am holding back praise. Once you start shooting, only the most curmudgeon photographer could not express satisfaction at the industry-leading autofocus. Whether using human eye focus, traditional focuses, or the even further improved animal eye focus, the latest Sony technology is an impressive bit of technological magic. The lock on subject settings allows me to track the bride coming down the aisle as she passes the guest and others who jump into the frame. The A7siii sticks with her and does not jump to the new and closer object. Sure this is rather easy during staged shoots on manual, but for the unpredictable one take video situations… highly advantageous. Some other standout advantageous aspects are in the memory cards, batteries, heat management, and 10 bit 4:2:2. Memory cards are getting expensive! Many new cameras only allow expensive memory options. You do need a certified v90 SD card ($100 or so for 128GB) for the 120fps at the highest settings, but 60fps with excellent 4k and 10-bit quality has been working flawlessly with a bargain-basement v60 SD card. That means for most applications, the A7siii is the best option for keeping storage cost manageable and reasonable. Battery Life has been unremarkable, but this is an improvement because more technology and demand are being placed on the camera. Therefore the battery life is lasting as long as typical but getting more out of each drop and with no heat issues. Yes, no heat issues on the A7siii. Personally, most of my video shooting is highspeed and in the desert of Phoenix. August weddings are in brutal heat. The A7siii has no care or concern. One heat warning has been observed, but that was it, just a warning, and this is in the hottest of conditions faced but 99.99% of videographers. The only area where the A7siii does not shine is in the same area all of these mirrorless cameras fall short (in comparison to DSLRs), photos. Maybe it is me, but DSLRs take better quality pictures. Though the DSLR pictures are much harder to obtain because of focus and shooting speeds when you nail a DSLR photo is better than a mirrorless. Still, the A7siii is nearly guaranteed to capture multiple in-focus action shots. The A7siii will be my primary camera for the foreseeable future which is likely to be for many years into the future.
K**S
Expensive, but the video quality is incredible!
I used to shoot Canon for so long, but after trying the A7Si I was hooked. Then went to the A7Sii, and now the A7Siii. Definitely a big Sony fan now. This camera paired with the Sony 24-105 and the Weebill S and you have a really great setup!
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