Microphone, Dynamic Cardioid, XLR Cable Included, Unidirectional, Rugged Construction, Built-in Pop Filter, Perfect for Stage & Studio, High Gain, Ultra-Wide Frequency Response, 15ft Cable

Oh my gosh! This is what I've been looking for. Hunting down mics for singing has gotten really complex these days. I'm thinking, whoa, I just want a mic I can plug into my amp like when I was 16 years old. It was simple then, it should be simple now. So i take it out of the box thinking, I bet I will have to return this because it's got some kind of funky cord connection that won't work. Nope! It plugged right into my amp and it sounds amazing! Amazing enough anyway. And the price is right! Just buy it, and you can sing it's virtues later.

Ladies and gentlemen, let me introduce you to my new best friend, the Pyle-Pro Microphone. Together, we're a musical dream team – like Sonny and Cher, Simon and Garfunkel, or peanut butter and jelly. This unassuming little gadget has transformed my shower singing escapades into full-fledged concerts that have my neighbors tapping their feet (and occasionally filing noise complaints). Before the Pyle-Pro, I had a string of disappointing microphone encounters. I felt like Goldilocks on the hunt for the perfect mic – some were too quiet, some too noisy, and others just downright unreliable. But when I finally laid my hands on this piece of audio wizardry, I knew I'd found my "just right." Now, when I host my legendary karaoke nights, the Pyle-Pro is the star of the show. It captures every nuance of my angelic voice (read: enthusiastic off-key belting) with stunning clarity. With this bad boy in hand, I feel like I can take on the world – or at least convince my friends that I'm a long-lost member of a famous band. The Pyle-Pro Microphone is so good; I've convinced myself that I could be the next singing sensation – or at least land a spot on a reality talent show. My cat, however, does not share my enthusiasm and often hides under the bed when I whip out my trusty Pyle-Pro. But hey, they say you can't please everyone. The build quality is no joke either. This microphone is sturdy enough to withstand my passionate, air-guitar-accompanied performances and the occasional accidental drop. Honestly, I'm pretty sure it could survive the apocalypse – and still be ready for an impromptu jam session in the aftermath. In conclusion, if you're in search of a microphone that will take your karaoke game to new heights (and potentially annoy your neighbors), look no further than the Pyle-Pro. It's a showstopper, a conversation starter, and your new partner in musical crime. So grab your Pyle-Pro, channel your inner rockstar, and let the good times roll!

For the price you can’t get anything better and I mean that in a good way. I just needed something to help with a trivia night on a simple PA speaker and it did it well. Don’t expect anything crazy like possible live performance (can’t vouch for that) but for why it was needed it did fantastic and clear.

I believe this is a hidden jewel of a microphone. Let me tell you, at under $10 I wasn't expecting much. I was expecting something plastic, something that feels as cheap as I expected it to sound. Well let me also tell you that this little guy's build quality AND sound is all but cheap. First off, the build quality. Wow is all I can say at $10. This microphone feels nearly as well made as the Shure SM58. It is slightly smaller (15%?), but everything feels the same... the casing, the grill. It's all high quality stuff. It feels VERY well in the hand, I could not believe it. This microphone feels and looks like a $50+ microphone. No, it's not a Shure SM58 but it's pretty darn close for costing a tenth the price. Next, the sound signature. I'd describe it as having a warm, bassy sound especially with proximity effect. The closer you get the more you sound like a radio show host. The proximity effect is definitely there and in my opinion is a good thing when combined with a windscreen. I'm running this guy to a nice preamp and let me tell you that although this is no condenser it does have great clarity. As I said this looks and feels like a $50+ microphone, it sounds like one too. I'd say the sound signature is definitely BETTER than the Blue Snowball USB mic. The included cable is okay quality, not the best. It is an XLR to 1/4. The cable itself is thick but the XLR connector is hard to remove. The 1/4 side has the problem of feeling cheap. But I mean what can you complain, it's $10 for a mic and cable. If I were to review the cable I would say 2/5, but 3/5 for the price. Let me warn you, however, that this microphone only achieves a good sound when hooked up to a preamp. You can "get by" by buying an XLR to 1/8 cable and hooking it to your laptop or whatever but trust me the sound signature will suffer from it. It is dramatically less clear and has less volume, bass, and overall presence when not amplified. It sounds "like a $10 mic" without an amplifier, believe me. Overall the Pyle-Pro PDMIC58 is an excellent microphone for the price. It's well built and sounds great when hooked up to a preamp. Would I recommend buying this guy without a preamp? Yes actually. It's enough to "make ends meet" at $10. But this guy actually shines when you also purchase a preamp to get this guy at a seriously nice signature. Band practice, karaoke, podcasting, Skype, whatever... this guy really does shine at $10.

Does the job. Nothing fancy or pro. But will make a nice sound for simple sound

It's a $15 mic, so it's not really fair to compare it to a $100 mic, however there are a handful of other cheap mics in the $10-$20 range right here on amazon and I just happened to compare a bunch of them head to head. Let me preface this review by saying that mics will sound different under different circumstances, including the user, the use, the other equipment, and the location it's used in. My findings are my own voice, talking and singing through two different PA (Bose L1 compact and Yamaha Stagepas) systems in my own house. These are the mics I tried and compared: #5 Weymic W500 https://www.amazon.com/gp/product/B01DGBDF4C/ref=od_aui_detailpages00?ie=UTF8&psc=1 My least favorite. Lighweight feel, too much high end, lots of handling noise. This mic also would not lock onto my XLR cable (manufacturing defect) #4 Weymic W501 https://www.amazon.com/dp/B01DGBUJU0/ref=cm_cr_ryp_prd_ttl_sol_0 I prefer this to the W500 but it still feels lighweight, and has lots of handling noise but it does have a better low end. This mic also would not lock onto my XLR cable (manufacturing defect) #3 Pyle Pdmic58 https://www.amazon.com/gp/product/B003GEBGA0/ref=oh_aui_search_detailpage?ie=UTF8&psc=1 This was the first mic I bought of the bunch and before I compared it to any others I was really impressed for the price. It has a lot of gain, too much high end and not enough bottom. Build is heavier than the previous 2 and handling noise is less. #2 Weymic W800 https://www.amazon.com/gp/product/B01CTOBDH8/ref=ox_sc_act_title_1?ie=UTF8&psc=1&smid=A2RIKQIMKURS0X This mic has similar weight and handling noise to the Pyle, it actually seems to have more high end but also much more low end, it's a very dynamic mic. Like the previous 3, It's also a hot mic. It's very clear for speaking and a nice singing mic for the right singer/song combination. It's also the cheapest of the bunch, $10.50 at the time of this writing and honestly for the price it's an absolute bargain. #1 Behringher XM8500 https://www.amazon.com/gp/product/B0002KZAKS/ref=oh_aui_search_detailpage?ie=UTF8&psc=1 This is my favorite of the bunch. Sometimes I would sing into one of the other mics which are all hotter and more trebly than this one and think they sounded better (more clear) but overall this mic just has much better midrange that gives your voice a lot more body. It's also the heaviest of the bunch, the least handling noise, and the most expensive at a whopping $19.99! All 5 of these mics can be made to sound very similar to one another with a simple 2 band eq but I couldn't get any of the mics to match the midrange of the Behringer. I'd bet with a 3 band or more you could really dial these all very close to one another. That being said much of your decision should be based on build quality, and handling noise in my opinion. For me the keepers are the Behringer and the W800. Between the two I like the W800 (with the treble dialed down a bit) for songs that call for a lower vocal range while still remaining clear, think Frank Sinatra & Elvis, also for speaking this mic has a great range and clarity. For rock songs (oasis, alice in chains, radiohead, GnR) I prefer the XM8500. If I could keep only one it would definitely be the Behringer.

These are some great microphones especially for the price, I did some test recordings and it sounds amazing. The only thing to keep in mind is when recording instruments, I recorded a trumpet line and it sounded a bit off, it’s probably the way I placed it ( I’m new to the recording scene) but with a few tweaks I’m sure it would sound great. Anyway these mics are a great start to the recording world.

I put this inside an organ at church. Working as I hoped.

منتج امريكي قوي الحساسية المايك احترافي يستخدموه اغلب الفنانين في الاستوديوهات للتسجيل لذا. هو عندي الافضل

Good to singalong

Richtig gut zum Spaß an karaoke

Ich nutze normalerweise das Shure SM58 und habe diese Mikros als Ersatz für den Einsatz mit Kindern und Jugendlichen erworben. Der Test fiel sehr positiv aus, ich merke beim Karaoke kaum einen Unterschied zum Shure. Die Mikros sind etwas leichter und lassen sich auch mit dem Funkadapter kabellos betreiben. Bisher erfüllt es also für den relativ kleinen Preis alle Erwartungen.

Este micrófono es una excelente alternativa más accesible al clásico Shure SM-58: Lo bueno - 1. No se puede vencer el precio que se paga por las prestaciones y calidad del producto, el peso es adecuado y la calidad de fabricación y materiales también. 2. El paquete incluye además un cable macho-macho de 5mm y 5 mts de largo, que se puede cambiar por alguno de otro tipo. 3. La calidad de sonido es muy similar a la del SM-58 y, en la vasta mayoría de aplicaciones no profesionales, será suficiente y satisfará las necesidades del usuario. 4. A pesar del precio, el empaque en el que viene el producto es de buena calidad y no pareciera, nuevamente, corresponder a este rango de precio. Lo malo. No le he encontrado nada malo aún, quizá algunas diferencias casi imperceptibles en la calidad de sonido si se compara lado a lado con el Shure. Resumen. Totalmente satisfecho con la compra y definitivamente lo volvería comprar