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One of The Economist 's Books of the Year A provocative, entertaining account of Italy's diverse riches, its hopes and dreams, its past and present Did Garibaldi do Italy a disservice when he helped its disparate parts achieve unity? Was the goal of political unification a mistake? The question is asked and answered in a number of ways in The Pursuit of Italy , an engaging, original consideration of the many histories that contribute to the brillianceโand weaknessโof Italy today. David Gilmour's wonderfully readable exploration of Italian life over the centuries is filled with provocative anecdotes as well as personal observations, and is peopled by the great figures of the Italian pastโfrom Cicero and Virgil to the controversial politicians of the twentieth century. His wise account of the Risorgimento debunks the nationalistic myths that surround it, though he paints a sympathetic portrait of Giuseppe Verdi, a beloved hero of the era. Gilmour shows that the glory of Italy has always lain in its regions, with their distinctive art, civic cultures, identities, and cuisines. Italy's inhabitants identified themselves not as Italians but as Tuscans and Venetians, Sicilians and Lombards, Neapolitans and Genoese. Italy's strength and culture still come from its regions rather than from its misconceived, mishandled notion of a unified nation. Review: Disagree with parts of it, and still think it is excellent - Gilmour's Pursuit of Italy is a fine summary of the historical regionalism and effects of that regionalism on Modern Italy. I could not put it down, finding it engaging and amusing, while still bringing up many one-off (maybe two-off) bits of analysis and perceptions of Italy that make this such a valuable piece. Gilmour tends to criticize and minimize the evaluation of the Catholic Church in Italy, which is a bit troubling. For example, on the subject of Vivaldi "Its most talented musician was the violinist and composer Antonio Vivaldi whose job at a local orphanage for girls, the Conservatorio della pieta, obliged him to provide his employers with two concertos a month" Good to know...but what exactly was Antonio Vivaldi's job? Well..he was a Roman Catholic Priest, known as the "Red Priest" (due to his red hair)..that's Father Vivaldi at the orphanage. We would never know this from Gilmour, as he seems to want to write out the charitable and glorious effects of Catholicism on Italian culture, but come on...how do you rewrite the Catholic out of Vivaldi? I still give this book 5 stars, as it is terrific history and cultural commentary, but found myself questioning where opinion starts and history starts. Doesn't spoil the book, in fact, makes it more interesting, as the author's observations are definitely slanted from an interesting viewpoint. Review: deep knowledge of italy and the italians makes a wonderful read - Many of us have been to Italy or know Italians or have married an Italian or have driven an Italian car or eaten wonderful Italian food or have marveled at Italian art or have listened with wonder to Italian music or have admired Italian architecture or have read the great Italian poets or have experienced its sense of "la dolce vita". In fact, few, if any, people have had such an indelible impression on our daily lives as the Italians. Yet Italy itself, the land of the Italian people, has had a difficult history. Difficult, in fact, is not a remotely appropriate adjective to describe a history full of feckless leaders, unremitting intrigues and conspiracies, massive corruption and military ineptitude. David Gilmour, in this authoritative overview of Italian history, describes the central problem with Italy. "Geography and the vicissitudes of history made certain countries, including France and Britain, more important than the sum of their parts...In Italy the opposite was true. The parts are so stupendous that a single region...would rival every other country in the world in the quality of its art and the civilization of its past." Italy, Gilmour concludes, has produced an unending kaleidoscope of great human achievement but continues to be unable to create a strong, effective national government that can produce a great society. In fact, in the two great periods of Italian history - the Renaissance and the Middle Ages - Italy was in fact not a nation but a collection of vastly different regional kingdoms, in many cases kingdoms in which Italian was not a well-understood language. Italy has had occasional national leaders, some of whom were not in fact Italian, but it has also had its full share of destructive, power-mad leaders, including Mussolini and, more recently Berlusconi. Only with Julius Caesar, now two thousand years in the past, has Italy produced a leader on the scale of Bismark, Peter the Great, deGaulle, or Churchill. Gilmour searches for reasons to explain why it is that Italy has failed to become the great nation-state that its enormous talents deserve. He does this with skill, copious knowledge, terrific insight and a continual sense of ironic humor. He knows Italy well. He explains Italy's plight with great clarity and a firm grasp on the consequences of its citizens to place their region first and the nation second. This is, at times, a sad story. Just as the Civil War in the United States ultimately made a strong nation out of two strong regions, Italy was in the midst of a failed effort to make a nation out of regions, some not larger than cities, such as Venice, Naples and Florence. These divisions and regional jealousies exist today. Sicily is still only remotely governed by national authorities. The difference between the North of Italy, industrious, developed and European, and the South of Italy, economically weak and close to ungovernable, remains stark. You will find in this book a wonderful series of historical sketches, outlining the high and low points of Italian history. One reads the book, however, with a mounting sense of disappointment that Italy could not have become more than it is. It is a complex story and Gilmour tells this tangled tale very well. You will not, however, find the key to the way out. Italy is the land of Italians and it seems that these enormously talented people have a way of living that is totally unique and admirable in so many ways. Their life has worked for them for two thousand years and will probably carry on roughly the same, with all the achievements and all the disappointments, for quite a bit longer.
| Best Sellers Rank | #74,277 in Books ( See Top 100 in Books ) #18 in Italian History (Books) #57 in general Italy Travel Guides |
| Customer Reviews | 4.4 out of 5 stars 698 Reviews |
J**S
Disagree with parts of it, and still think it is excellent
Gilmour's Pursuit of Italy is a fine summary of the historical regionalism and effects of that regionalism on Modern Italy. I could not put it down, finding it engaging and amusing, while still bringing up many one-off (maybe two-off) bits of analysis and perceptions of Italy that make this such a valuable piece. Gilmour tends to criticize and minimize the evaluation of the Catholic Church in Italy, which is a bit troubling. For example, on the subject of Vivaldi "Its most talented musician was the violinist and composer Antonio Vivaldi whose job at a local orphanage for girls, the Conservatorio della pieta, obliged him to provide his employers with two concertos a month" Good to know...but what exactly was Antonio Vivaldi's job? Well..he was a Roman Catholic Priest, known as the "Red Priest" (due to his red hair)..that's Father Vivaldi at the orphanage. We would never know this from Gilmour, as he seems to want to write out the charitable and glorious effects of Catholicism on Italian culture, but come on...how do you rewrite the Catholic out of Vivaldi? I still give this book 5 stars, as it is terrific history and cultural commentary, but found myself questioning where opinion starts and history starts. Doesn't spoil the book, in fact, makes it more interesting, as the author's observations are definitely slanted from an interesting viewpoint.
D**M
deep knowledge of italy and the italians makes a wonderful read
Many of us have been to Italy or know Italians or have married an Italian or have driven an Italian car or eaten wonderful Italian food or have marveled at Italian art or have listened with wonder to Italian music or have admired Italian architecture or have read the great Italian poets or have experienced its sense of "la dolce vita". In fact, few, if any, people have had such an indelible impression on our daily lives as the Italians. Yet Italy itself, the land of the Italian people, has had a difficult history. Difficult, in fact, is not a remotely appropriate adjective to describe a history full of feckless leaders, unremitting intrigues and conspiracies, massive corruption and military ineptitude. David Gilmour, in this authoritative overview of Italian history, describes the central problem with Italy. "Geography and the vicissitudes of history made certain countries, including France and Britain, more important than the sum of their parts...In Italy the opposite was true. The parts are so stupendous that a single region...would rival every other country in the world in the quality of its art and the civilization of its past." Italy, Gilmour concludes, has produced an unending kaleidoscope of great human achievement but continues to be unable to create a strong, effective national government that can produce a great society. In fact, in the two great periods of Italian history - the Renaissance and the Middle Ages - Italy was in fact not a nation but a collection of vastly different regional kingdoms, in many cases kingdoms in which Italian was not a well-understood language. Italy has had occasional national leaders, some of whom were not in fact Italian, but it has also had its full share of destructive, power-mad leaders, including Mussolini and, more recently Berlusconi. Only with Julius Caesar, now two thousand years in the past, has Italy produced a leader on the scale of Bismark, Peter the Great, deGaulle, or Churchill. Gilmour searches for reasons to explain why it is that Italy has failed to become the great nation-state that its enormous talents deserve. He does this with skill, copious knowledge, terrific insight and a continual sense of ironic humor. He knows Italy well. He explains Italy's plight with great clarity and a firm grasp on the consequences of its citizens to place their region first and the nation second. This is, at times, a sad story. Just as the Civil War in the United States ultimately made a strong nation out of two strong regions, Italy was in the midst of a failed effort to make a nation out of regions, some not larger than cities, such as Venice, Naples and Florence. These divisions and regional jealousies exist today. Sicily is still only remotely governed by national authorities. The difference between the North of Italy, industrious, developed and European, and the South of Italy, economically weak and close to ungovernable, remains stark. You will find in this book a wonderful series of historical sketches, outlining the high and low points of Italian history. One reads the book, however, with a mounting sense of disappointment that Italy could not have become more than it is. It is a complex story and Gilmour tells this tangled tale very well. You will not, however, find the key to the way out. Italy is the land of Italians and it seems that these enormously talented people have a way of living that is totally unique and admirable in so many ways. Their life has worked for them for two thousand years and will probably carry on roughly the same, with all the achievements and all the disappointments, for quite a bit longer.
A**R
great gift for Italy lovers
great book for people who like visiting Italy
P**E
Very fine
Gilmour knows and loves his subject well. His graceful writing style, eye for the telling detail/anecdote, and fair but personal point-of-view makes this magisterial history a pleasure to read.
J**O
Revisionist after Revisionism
I'm unsure about this book. It has an important theme, that Italy ,at best, should have a loose federal system, or maybe should have never been united. This has been said before but this book dispenses with the subtle writings of previous English historians. Some of the chapters are quite interesting, as stand alone essays, but the author scours Italian history for precedents which support his views while overlooking those that run counter to his thesis. Some chapters are very detailed while others are simply summaries of periods of Italian history. He describes Verdi's life minutely but barely explains the battle of Adowa. Some facts that support his views aren't even mentioned. I was surprised that he never mentioned that in the naval battle of Lissa many of the sailors in the victorious Austrian navy were from Venice and the flag of San Marco was displayed from the masts of some of the Austrian ships while the Italian Navy fought to claim Venice. His references to military history of Italy in World War 11 have long been revised. He states that after Taranto and Cape Matapan the Italian navy played little role in the struggle.This would be a surprise to Military historians such as Greene, who have written extensively about naval warfare in the Med.Few current military historians believe that the German invasion of Greece set back the date for Barbarossa. My main complaint is there is little analysis of the failings of post 1860 Italy's complete mishandling of the economy of the South. The author certainly alludes to it, but as the son of a Neapolitan immigrant and first generation Sicilian mother I always wondered why there are almost no Italian Americans in the US whose grandparents came from anywhere north of Benevento. This book simply falls short. That being said the romantic notion of the Unification of Italy is easily left in tatters by this book, as it should be. Though Garibaldi remains a hero. I'm glad that he even as partisan an author as this still leaves Garibaldi as the sun of the 19th Century.
A**E
Excellent Synthesis of Italian History
I have studied and read a great deal of European and American history, but never Italian history, so as an introduction, I ordered two books; Gilmour's "The Pursuit of Italy" and The Oxford Illustrated History. Oxford's history is serviceable but ponderous and I frequently became lost in the detail. Gilmour's was scintillating, incisive, erudite and a sheer joy to read. I'll leave to scholars to debate his thesis that the unification of italy has ultimately not been successful and am sure experts will disagree with some of his interpretations and judgments. But for the general reader - general yet educated reader - Gilmour's volume is a valuable introduction to this land and culture. It is an exemplary volume.
R**N
Italy, as "a sin against geography and history"
This year marks the 150th anniversary of the formal proclamation of the Kingdom of Italy. I have long had a fascination with Italy, which was only whetted by my two too-short trips there. Art, architecture, history, food, wine, warmly hospitable people, and (often) glorious weather and landscapes. But at the same time Italy is such a dysfunctional country - crime, corruption, bloated and inefficient bureaucracy, Berlusconi, and a burgeoning debt crisis. (I realize, of course, that the same problems - minus "Berlusconi" - loom large in the United States.) In THE PURSUIT OF ITALY, David Gilmour does a good job of explaining why in its 150 years Italy, the nation, has had such a star-crossed existence and why it still has an uncertain future. In Gilmour's view, geography and the vicissitudes of history over millennia have worked against a unified Italian nation. For centuries, the peoples of the peninsula existed -- even thrived, at least in comparison to many others in Europe -- in various city-states (such as Venice, Genoa, Savoy, Florence, Siena, and Naples). Even today, "the city-states remain embedded in Italy's psyche, the crucial component of its people's identity and of their social and cultural inheritance." When the tide of 19th-Century nationalism swept over Italy, there were no inherent ties or associations that predisposed those city-states to unite in a peninsular nation, and the founding fathers - Cavour, Garibaldi, Mazzini, and Victor Emanuel - who brought about that nation-state did so without the support or approval of the majority of the citizenry. Italy as a nation was flawed in conception, and the nation-building since has been badly flawed in execution. In arguing for his thesis - which I find quite plausible - Gilmour supplies the reader with a one-volume history of Italy (or, perhaps more accurately, history of its many and varied constituent parts). That history is a little tedious at times and the book occasionally takes on the feel of a textbook -- albeit, better written than most textbooks. But on the whole I found THE PURSUIT OF ITALY both engaging and educational. I learned more about Italy than I have from any other single source in my reading career. The book certainly should be considered by anyone looking for a one-volume historical overview of Italy before travelling there.
M**T
Five Stars
No promise of being comprehensive, the author promises and delivers a quick and at times scathing history of Italy. Great book, thoroughly enjoyed it, and I learned a lot. One that will stick in my mind is how so many Italian fascists easily converted to communism after the second world war. I see a lot of the political mistakes Italy made over and over being repeated by the Democratic party here in the US, and its disturbing. However, Italy pulled itself out of is economic nightmare eventually, and one day the socialists here and their choking economic policies will hopefully go the way of the dinosaur. Great book, something to learn from in many ways.
A**R
Superbly written
This volume is extremely well written - detailed, yet easy to understand without becoming tedious. The best I have ever seen on this topic. Highly recommended.
D**D
A good read for anyone interested in the idea of Italy
The 150th anniversary of Italian unification is a good time to publish this book. Gilmour's thesis is that Italy lacks a coherent national identity, that Italian nationalism has caused enormous damage to people in Italy, and Italy's individual regions would be more successful as autonomous units within a larger European union. He produces elegantly devastating criticism of many of the leading Italian national figures since the Risorgimento, including both the Victor Emmanuels (II and III), military leaders such as Cadorna and Badoglio, Mussolini (naturally), post-war politicians such as Craxi and (equally naturally) Berlusconi. A thoroughly enjoyable, and informative, read. I'd have liked Gilmour to develop a couple of relevant topics in greater depth. First, the Italian emigrant diaspora: people of Italian ancestry in the UK and the US seem to have a sense of an Italian national identity which is lacking in their cousins still living in Naples, Milan or Palermo. Second, the reduction in dialect use and the accompanying rise in the use of standard Italian: this is surely the consequence of national media, especially broadcasting. In 1861, Sicilians could not communicate with Venetians, nor Neapolitans with Milanese. Now they share a common language. Surely the ability to communicate with one's fellow-citizens in distant provinces has created, to some extent, a sense of national identity? Overall, a good read for anyone interested in the origins of modern Italy and the very idea of "Italy".
P**K
Fascinating insight into the creation of the Italian state
The history of Italy (especially the forging of a national entity) explains so much about how Italy is today. Italy has given the world so much in creative and culinary spheres, but they have not really gained status as a true world power. The trials and tribulations of their unification explain much. The book was heavy going in places - lots of detail to take in. However, I did find it informative.
L**Y
Molto interessante!
ร molto buono. Ho imparato molto.
L**E
Absorbing reading
I wanted more background on the culture after a trip there. Very readable and informative account for the general public.
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