---
product_id: 18572404
title: "Poem"
brand: "delerium"
price: "€ 39.95"
currency: EUR
in_stock: false
reviews_count: 10
url: https://www.desertcart.es/products/18572404-poem
store_origin: ES
region: Spain
---

# Poem

**Brand:** delerium
**Price:** € 39.95
**Availability:** ❌ Out of Stock

## Quick Answers

- **What is this?** Poem by delerium
- **How much does it cost?** € 39.95 with free shipping
- **Is it available?** Currently out of stock
- **Where can I buy it?** [www.desertcart.es](https://www.desertcart.es/products/18572404-poem)

## Best For

- delerium enthusiasts

## Why This Product

- Trusted delerium brand quality
- Free international shipping included
- Worldwide delivery with tracking
- 15-day hassle-free returns

## Description

Product Description








The lush ambience of the band's music is complimented this time around by guest vocalists including Leigh Nash (of Sixpence None the Richer" on the first single, "Innocente," Matthew Sweet, Kirsty Hawkshaw (Opus 3) and the Mediaeval Baebes. Also includes a bonus disc featuring "Silence" featuring Sarah McLachlan and "Flowers Become Screens."












.com








B IEW: Bill Leeb and Rhys Fulber have been perfecting their Enigma-esque form of pseudospirtual, vaguely gothic dance pop since they began collaborating in the mid-1980s. Whether working as Delerium, or under their better-known name Front Line Assembly (among others), their music, which is airy and laden with reverb, usually features guest contributions from a rolling ensemble of female vocalists. Occasionally, the formula yields a worthy hit, like "Silence," the twosome's transcendent collaboration with Sarah McLachlan on Karma (1997). On this effort, a guest turn from Matthew Sweet livens up "Daylight," and The Mediaeval Baebes (fronted by ex-Miranda Sex Garden vocalist Katharine Blake) lend their silky pipes to the lovely "Aria." Too often, however, the unvarying tempos, synthesizer washes, and predictable minor chord progressions become numbingly repetitive, only sporadically coming together to create something distinctive. Diehards of the genre will enjoy it, but others may be better advised to check out the band's earlier work or to explore the similar but often more inventive music of bands like Dead Can Dance, This Mortal Coil, and Vas. --Matthew Cooke

## Images

![Poem - Image 1](https://images-na.ssl-images-amazon.com/images/I/513R2Z0%2BiPL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ 







  
  
    Poem
  

*by P***H on Reviewed in the United States on August 6, 2015*

Very gothic sounding in tone. The production of the music is pretty much flawless, and Bill Leeb and Rhys Fulber are perfectionists when it comes to recording for Delerium. The lyrics and vocals are quite beautiful.Terra Firma  -  AudeInnocenteAriaFallen IconsUnderwaterMyth  - Joanna StevensNature's KingdomDaylightTemptationA Poem For byzantiumAmongst The RuinsHere is a breakdown of the players for those who are interested.Matthew Sweet  Track PerformerJames Emery  VocalsRhys Fulber  KeyboardsCharles Inkman  StringsJulia Kent  StringsBill Leeb  KeyboardsLorenza Ponce  StringsPaula Wise  StringsCameron Wilson  StringsKirsty Hawkshaw  Track PerformerJane Scarpantoni  StringsAshwin Sood  DrumsLuke Doucet  Acoustic GuitarBruce Hoffman  VocalsSean Ashby  Acoustic Guitar,Electric GuitarAntoine Silverman  StringsLeigh Nash  Track PerformerPeggy Lee  StringsJoanna Stevens  Track PerformerSheila MacDonald  StringsStephen Write  VocalsBrian Larsen  StringsJamie Brehaut  VocalsKat Goheen  VocalsHeidi Krutzen  HarpTony Nickles  OboeLyndon Surjik  VocalsNatalie Cenovia Cummins  StringsAude  Track PerformerLee Duckles  Strings

### ⭐⭐⭐⭐⭐ 







  
  
    Simply Amazing.
  

*by M***Y on Reviewed in the United States on May 22, 2003*

The next in the line of 'new' Delerium.Unlike their original work, Poem (along with Semantic Spaces, and Karma) makes liberal use of outside vocalists, often in instrumental styles.  Like Semantic Spaces, Poem relies on singers singing the same thing several times in a row, in many instances, to give the impression that the singers are instruments themselves.  Often a single phrase, or a way of forming the words, is used several times. Or, a breathy lead in is used.The strong points of this album would be Innocente, Aria, and Fallen Icons.  Each song is a gorgeous work in and of itself, but these three songs is a masterwork in and of itself.Innocente features the voice of Leigh Nash, of Sixpence None the Richer fame.  A christian vocalist, Leigh Nash has a type of power and feeling in her voice that is absent in most contemporary singers.  Unlike the crystalline perfection heard in many an opera house, Nash has an ashy quality that is simply beautiful.  The composition of the song seems to take three distinct stages, you can almost feel the shift (From the lead in, the beginning, and the end, which not-so-coincidentally define themselves in the lyrics).Aria is a prime example of Voice-as-Instrumentation.  First, the song is sung in Middle English, which is familiar yet foreign, by Katharine Blake. She provides her own counterpoint, with an amazing effect.The rest of the songs deserve attention as well, but you'll just have to listen and find out for yourself!

### ⭐⭐ 







  
  
    mostly sucks energy out of the universe
  

*by A***S on Reviewed in the United States on July 24, 2001*

I was really excited when I saw this CD -- and with a bonus disk as well!  I couldn't wait to hear it.  And then I couldn't believe what I was hearing.Does anybody else think it's suspicious that nothing comes out for three years and then we get .... THIS? I have a theory -- Bill Leeb was kidnapped and taken to France for three years, where he was forced to drink small coffees and smoke Gauloise cigarettes.  And wear a beret.  It is just plain wrong for a project as consistently talented as Delerium to sound like they are ripping off Air and Enigma. There is a fine line between increasing your accessibility to a discerning segment of the mainstream and selling out.  I admit one album does not a sellout make; only time will confirm or deny rumors that Leeb is working with ABBA and Stevie Nicks for his next CD, and plans to have a bikini-clad Swedish masseuse on the cover holding a can of beer and a pair of slippers.Yikes. My sister and I have never had the same taste in music, and I know she would have hated Morpheus and Euphoric, my favorites; we could probably agree that Semantic Spaces and Karma were very good; but she would love this album and I can barely listen to it. Ironically, the song with the cheesiest title, Amongst the Ruins, is probably the best song on either disk.  (Do Goth kids even say 'amongst'?)  Terra Firma and Innocente are okay but nothing new, and Aria has good vocals and lyrics but puff music behind it.  The rest are popcorn hop. It is as if Leeb's body was taken over by the ghost of Alan Parsons (unless Alan Parsons is still alive, then the explanation becomes more complex and far-fetched).There are harps on here, for goodness sake!Let's put it this way: if Morpheus were a soundtrack, it would be a John Carpenter movie and you'd lay awake all night thinking you heard monsters under your bed; if Semantic Spaces were a soundtrack, it would be an erotic thriller and you would lay awake all night wishing you hadn't just broken up with your significant other; if Poem were a movie soundtrack, it would be on Lifetime and star Fabio, and you would lie awake all night wondering how Fabio keeps getting work. And who watches the Woman as Victim Network ... er, I mean, Lifetime Network anyway?I know some people will really like this CD, but not me. I do not wish to insult your taste in music. I am saying that this music is so far removed from previous releases that Leeb should have given this project another name. Poplush. Barium Wash. I don't mind that alternative groups go a bit mainstream. Everybody needs to make a living. But I really feel that Leeb has abandoned all interest in sound as scape here. Kristy Thirsk and Sarah McLachlan added dimension to previous Delerium CDs, but this group of "guests" is too saccharin-y. One reviewer said that earlier releases by Delerium sounded like Hell, while Poem sounds like Heaven. I disagree. If I went to Hell, I think this CD would be in heavy rotation.My advice: if you liked early Delerium better than middle Delerium, run from this CD as if the hounds of hell were at your heels. If you thought Semantic Spaces and Karma were a big step forward, and you own any French music, you will probably like this.

---

## Why Shop on Desertcart?

- 🛒 **Trusted by 1.3+ Million Shoppers** — Serving international shoppers since 2016
- 🌍 **Shop Globally** — Access 737+ million products across 21 categories
- 💰 **No Hidden Fees** — All customs, duties, and taxes included in the price
- 🔄 **15-Day Free Returns** — Hassle-free returns (30 days for PRO members)
- 🔒 **Secure Payments** — Trusted payment options with buyer protection
- ⭐ **TrustPilot Rated 4.5/5** — Based on 8,000+ happy customer reviews

**Shop now:** [https://www.desertcart.es/products/18572404-poem](https://www.desertcart.es/products/18572404-poem)

---

*Product available on Desertcart Spain*
*Store origin: ES*
*Last updated: 2026-03-11*